| Armstrong et al. | Vergil, Philodemus, and the Augustans |
| Bers | Demosthenes, Speeches 50-59 |
| Carey | Aeschines |
| Dué | The Captive Woman's Lament in Greek Tragedy |
| Edwards | Isaeus |
| Erasmo | Roman Tragedy: Theatre to Theatricality |
| Foster | Ancient Egyptian Literature: An Anthology |
| Gagarin | Antiphon the Athenian: Oratory, Law, and Justice in the Age of the Sophists |
| Gagarin and MacDowell | Antiphon and Andocides |
| Harris | Demosthenes, Speeches 20-22 |
| MacDowell | Demosthenes, Speeches 27-38 |
| Meador | Inanna, Lady of Largest Heart: Poems of the Sumerian High Priestess Enheduanna |
| Moore | The Theater of Plautus: Playing to the Audience |
| Nagy | Homeric Questions |
| Nagy | Homeric Responses |
| O'Bryhim | Greek and Roman Comedy: Translations and Interpretations of Four Representative Plays |
| Papillon | Isocrates II |
| Riggsby | Caesar in Gaul and Rome: War in Words |
| Smith | The Primacy of Vision in Virgil's Aeneid |
| Sternberg | Tragedy Offstage: Suffering and Sympathy in Ancient Athens |
| Todd | Lysias |
| Worman | The Cast of Character: Style in Greek Literature |
| Worthington | Demosthenes, Speeches 60 and 61, Prologues, Letters |
| Worthington, Cooper, and Harris | Dinarchus, Hyperides, and Lycurgus |
| Yunis | Demosthenes, Speeches 18 and 19 |
